世界各大博物館藏汝窯瓷器皆無紋飾圖案
Ru kiln porcelains in major museums around the world have no decorative patterns
明朝開國功臣軍事大元帥陳秀甫家族祖傳的傳世汝窯瓷器有精美紋飾圖案
The Ru kiln porcelains handed down from the ancestors of the Chen Xiufu family, who was the founding hero and military marshal of the Ming Dynasty, have exquisite decorative patterns.
北宋汝窯天青釉刻劃印花五爪龍吐珠十二梅花紋折沿盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Five-clawed Dragon Spit Bead and Twelve Plum Patterns Folding Edge Plate
北宋汝窯天青釉刻劃印花鳳紋盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Phoenix Pattern Dish
北宋汝窯天青釉刻劃印花虎紋盤
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Tiger Pattern Dish
北京故宮博物院藏北宋汝窯淡天青釉盤
Northern Song Dynasty Ru Kiln light Sky-green glazed plate in the Beijing Palace Museum
大英博物館藏北宋汝窯瓷器
Northern Song Dynasty Ru Kiln wares in the British Museum
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龍紋是北宋汝官窯瓷器之皇室工藝典型紋飾
The dragon pattern is a typical pattern of royal craftsmanship in Ru Imperial kiln porcelain in the Northern Song Dynasty
北宋汝官窯瓷器之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns of Ru Imperial Kiln Porcelain in Northern Song Dynasty
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2022 年 3 月份全球觀眾： 1,373 總觀看次數及1,588 總觀看時間 (分鐘)
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擁有 48,000 名全球會員的臉書公共社群網站 'Fine Art to sell'：
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台北故宮博物院藏北宋玉雕龍紋盤及玉冊玉匱龍紋嵌片上之皇室工藝龍紋
The Royal Craftsmanship Dragon Patterns on the Northern Song Dynasty Jade Carved "Dragon Pattern Plate" and "Jade Plaque composing a jade case with Dragon Pattern Inlays", in the National Palace Museum, Taipei, Taiwan, Republic of China.
就每個瓷盤上的龍紋而言，與台北故宮博物院所藏下列 “ (1) 宋、遼玉龍紋盤 (公元 907 - 1279 年)” 及 “ (2) 北宋真宗祥符元年 (公元 1008 年) 禪地玉冊玉匱嵌片” 上的龍紋相比，每樣兩個成對之兩者皆近似，故推斷有此龍紋瓷盤應屬北宋汝官窯的作品。
As far as the dragon pattern on each porcelain plate is concerned, they are similar to the following " (1) the dragon pattern on the Jade plate with dragon pattern Song to Liao dynasty (907 - 1279 C.E.)", and " (2) the dragon pattern on the Jade plaque composing a jade case, made in the first year (1008 C.E.) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty", both above are in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China. In comparison, both of each pair are similar, so it is inferred that these dragon-patterned porcelain plates should be the works of Ru Imperial kiln in the Northern Song Dynasty.
(1)
台北故宮博物院藏宋、遼玉龍紋盤 (公元 907 - 1279 年)
文物統一編號：故玉002251N000000000
就紋樣而言，如此雄強矯健的龍紋，與〈北宋真宗禪地玉冊〉所附玉匱上之嵌片的龍紋相比，兩者近似，故推斷此盤應屬11世紀上半，遼或北宋的作品。
https://digitalarchive.npm.gov.tw/Antique/Content?uid=85&Dept=U
Jade plate with dragon pattern, Song to Liao dynasty (907 - 1279 C.E.), in the collection of the National Palace Museum, Taipei, Taiwan, Republic of China.
Unified number of cultural relics: NPM Jade 002251N000000000
As far as the pattern is concerned, such a strong and vigorous dragon pattern is similar to the dragon pattern on the inlay on the jade chamber attached to the "Emperor Zhenzong Jade Plaque composing a jade case of the Northern Song Dynasty", so it is inferred that this plate should belong to the first half of the 11th century, the work of the Liao or Northern Song Dynasties.
(2)
北宋真宗祥符元年 (公元 1008 年) 禪地玉冊玉匱嵌片
文物統一編號：贈玉000004N000000006
https://digitalarchive.npm.gov.tw/Antique/Content?uid=47382&Dept=U
Jade plaque composing a jade case, made in the first year (1008 C.E.) of Xiangfu of Emperor Zhenzong reign, Northern Song dynasty.
Unified number of cultural relics: NPM Donate Jade 000004N000000006
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2022 年 3 月份全球觀眾： 1,373 總觀看次數及1,588 總觀看時間 (分鐘)
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北宋晚期 青釉印花盤龍紋瓷盒 1989年清涼寺汝官窯遺址I區出土
A celadon-glazed printed porcelain box with dragon pattern, late Northern Song Dynasty, unearthed in Area I of Ru Imperial Kiln Site of Qingliang Temple in 1989
Original URL: https://kkne.ws/6q1MnE
北宋汝窯天青釉刻劃印花五爪龍吐珠十二梅花紋折沿盤
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圓盤直徑：17.9 ～ 18.0 cm 厘米
圈足直徑：9.1 ～ 9.2 cm 厘米
本瓷盤為滿釉支燒，五支釘痕，香灰胎，天青釉，冰裂紋片，潤之如玉，在器物底部可見細如芝麻狀的支釘痕五個，痕跡很淺，大小如芝麻。
瓷盤龍紋上有數處「黑點之古瓷瑕疵」，龍紋線條「皆是手工製作、亦顯左右不對稱」，十二梅花紋「大小、間隙、寬度、深度皆不相同，明顯是由手工刻劃形成」，底部圈足兩側壁緣有「瑪瑙入釉及聚釉痕跡」，折沿口緣內側邊線上有一個明顯之「棕眼之古瓷瑕疵」，滿釉有古代柴燒氣泡及冰裂開片紋，底部圈足略為外撇。
而此傳世北宋汝窯瓷器的胎體有三個特點：
第一點是輕薄。
第二點胎色為香灰色，胎骨輕薄，胎質看色粗松實則細密。汝瓷胎色呈淺灰、灰白，因其色調與香燃燒之後形成的香灰相似，因而俗稱「香灰胎」。
第三點是汝瓷胎質細膩滋潤，堅緻緊密，被譽為「銅骨」。另外，接觸過傳世汝瓷的人常有「扣聲如磬」的形容，這在一定程度上也說明了汝瓷胎的輕薄與緻密。
另外，器底於光線下呈現略為凹凸不平，是由於泥坯中間的部位水份未乾，成型泥胎在掙脫粘連的泥范（模）時，由北宋窯工左右輕微轉動脫模操作所形成。現代仿製品完全無法製作器底略為凹凸不平現象。
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現代博物館裡的專業人士、收藏家、鑑賞家、學者、專家等等，因為他們都不是北宋皇帝宋徽宗本人，所以顯然他們已經把自己作為平民老百姓的品味，當作是應該屬於北宋皇帝宋徽宗的最愛。他們普遍認為，市面上流傳下來的 80 餘件傳世汝窯瓷器，應該就是北宋皇帝宋徽宗的御用汝官窯瓷器。 你認為有可能嗎？
Northern Song Dynasty Ru Kiln Sky-green glazed inscribed and printed Five-clawed Dragon Spit Bead and Twelve Plum Patterns Folding Edge Plate
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Plate diameter: 17.9 - 18.0 cm
Ring foot diameter: 9.1 - 9.2 cm
This porcelain plate was full-glazed and burned with supporting-nails, five supporting-nail marks, incense-ash-like-earth-yellow-greyish porcelain body, sky-green glaze, broken-ice-cracking-like cracking-patterns, jade-like smoothness, and five sesame-like supporting-nail marks can be seen on the bottom of the utensil, the marks are very shallow, their sizes are such as sesames.
The dragon pattern on the porcelain plate has several "black spots of ancient porcelain flaws", the dragon pattern lines "are all handmade and also show asymmetry between the left and right", and the twelve plum patterns "are different in size, gap, width, and depth, which were obviously formed by hand-carving", there are "marks of agate mixed in the glaze and polyglaze" on both side walls of the bottom ring foot, and an obvious "brown-eye-small-hole" which is an ancient porcelain flaw, on the inner edge line of the folding mouth edge. It was fully glazed with ancient wood-fired air bubbles and broken-ice-cracking-like cracking-patterns. The bottom ring foot is slightly slanted outward.
The porcelain body of this handed down Ru kiln porcelain in the Northern Song Dynasty has three characteristics:
The first is “light and thinness”.
The second is that the porcelain fetal color is incense-ash-like-earth-yellow-greyish, the porcelain fetal bone is light and thin, and the fetal quality seems to be rough but fine. The color of Ru porcelain body is light-gray and gray-white, because its color is similar to the incense ash formed after burning incense, so it is commonly known as "incense gray porcelain body".
The third is that the texture of Ru porcelain is delicate and smooth, firm and compact, and is known as "bronze bone". In addition, people who have come into contact with the handed down Ru porcelain often describe it as "sound like a chime (a musical stone)", which to a certain extent also shows the lightness and compactness of the Ru porcelain body.
In addition, the bottom of the utensil is slightly uneven under the light. Because when the water in the middle of the porcelain mud body was not dry yet and meanwhile the molded mud body was slightly turned left and right to be broken away from the sticking mud mold. So long as the porcelain kiln workers in the Northern Song Dynasty took the above procedure, then the uneven bottom would have been formed. Modern imitations are completely unable to produce slightly uneven bottoms.
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Professionals in the modern museums, collectors, connoisseurs, scholars, experts, and so on, because they are all not the Emperor Song Huizong of the Northern Song Dynasty himself, so obviously they have regarded their own taste of being the common people, as the same favorite that should belonged to the Emperor Song Huizong in the Northern Song Dynasty. They generally believed that more than 80 pieces of Ru kiln porcelain handed down on the market should be the personal royal Ru Imperial kiln porcelain wares of the Northern Song Emperor Song Huizong. Do you think it is possible?
來源：
屬擊敗蒙古元朝歐亞大帝國的明朝皇帝朱元璋所分封為軍事大元帥的「陳秀甫」(陳秀甫亦為明代開國功臣光祿大夫《光祿大夫為皇帝開國及軍事作戰的出糧出資金錢財主》) 家族傳世的祖傳傳世品。
Provenance:
The handed down collection from the family ancestor of Chen Xiufu, a military marshal who was assigned by the Ming Emperor Zhu Yuanzhang (Zhu Yuanzhang defeated the Eurasian Empire of the Mongolian Yuan Dynasty), (Chen Xiufu was also the founding hero of the Ming Dynasty, whose official name was Guangludafu, "Guangludafu was the rich and wealthy capitalist of food and money supplied for the emperor's nation-founding and military operations.").
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